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Cultural Centre Kolašin Skica iz Andrijevice, vasi iz širšega področja, opozarja na izreden primer grupiranja piramidastih volumnov tipiziranega zavetja. Lokalno stavbarstvo je v pogojenosti primitivnih lesenih konstrukcij in ostrih snežnih zim razvilo značilne piramidalne in stožčaste strehe pracelice, ki onstran utilitarnosti učinkujejo arhaičnoheroično ali kar simbolično. Humanist zavrača avtoriteto in spoštuje tradicijo kot nekaj resničnega in objektivnega. Prav tradicija lahko postane katalizator pri kristaliziranju specifične in določene, docela sodobne pa vendar lokalno požlahtnjene moderne arhitekture. The aim of the project was to establish a system of invisible order as the characteristic of every action in which many people participate equally. This system approach in physical layout tries to prevent complete disorientation and underlines the importance of contact with open space. However, its basic task is to allow numerous space arrangements and thus many alternative actions, some of them perhaps not foreseen in this moment. The arrangement of elements is influenced by examples of vernacular architecture which conditioned by timber construction and hard winter climate, developed remarkable roof forms. The appearance of these individual houses or space structures which they form together overcomes the bare utilitarian comprehension of a sensitive observer. We tried to gain a historical understanding of vernacular living cells and links between them. This as a manifestation of dependence on natural conditions and interdependence of people living together represented the basis for establishing the system of invisible order. The integration of two interrelating geometrical structures gives many interesting spatially perceptive experiences. The diversity achieved in this way and the unlimited spatial possibilities can initiate the creativeness of people who will use the building. The quality of the spaces formed cannot be measured only by their physical appearance. The value of the whole formation will increase if people accept it and enrich it by their activities. natisnjeno ob razstavah Društva oblikovalcev Slovenije ter Moderne galerije, Ljubljana, Udruženja likovnih umjetnika primijenjene umjetnosti Hrvatske, Zagreb, ter Saveza arhitekata Bosne i Herzegovine, Sarajevo printed at exhibitions of Designers Society of Slovenia and the Modern Gallery, Ljubljana, Fine Arts Association of Croatia, Zagreb, and the Architects Association of Bosnia and Herzegovina, Sarajevo |